Benesse Art Site Naoshima

nav

Art House Project

The Art House Project is an art project underway in Naoshima's Honmura district. It began in 1998 with Kadoya, and currently comprises seven locations: Kadoya, Minamidera, Kinza, Go'o Shrine, Ishibashi, Gokaisho, and Haisha. In this project, artists take empty houses scattered about residential areas and turn the spaces themselves into works of art, weaving in history and memories of the period when the buildings were lived in and used. Going from one of the houses to another, visitors pass through the Honmura district, where everyday life unfolds around them, in the process not only engaging with works of art, but also sensing the layers of time and history interwoven in the community and the fabric of local people's lives. A notable feature of the Art House Project is that because viewing it means traversing a zone of daily life, it acts as a catalyst for interaction between visitors and local residents, giving rise to many a memorable episode. A truly organic project that changes day-to-day, it has evolved to present a new model of community, characterized by positive interaction between urban and rural, young and old, resident and visitor.

Hours & Admission

Hours
10:00 am - 4:30 pm
* Minamidera Last admittance 4:15 pm
* Visitors are welcome to view and pray at any time at the main and front shrine areas of Go'o Shrine.
* Kinza has been closed due to restoration work.
Open Days Calendar
Closed
Mondays
* Open on Mondays for national holidays but closed the next day.
Admission
Multi - Site Ticket for six art houses, excluding Kinza JPY 1,030
Single - Site Ticket for one art house, excluding Kinza JPY 410
* Free admission for children of 15 and under.
* Please see here for information on the Triennale 3-Season Passport.
Ticket Sales
Benesse House, Honmura Lounge & Archive, Naoshima Tourist Center (in Marine Station Naoshima), Ueda Tobacco Shop, T.V.C Rental, and elsewhere.
Inquiries
Individuals / Groups
Art House Project

Honmura Lounge & Archive

Honmura Lounge & Archive was once used as an agricultural cooperative supermarket. Most of the basic architecture was preserved, and the space was designed by the architect Ryue Nishizawa. In addition to selling tickets for the Art House Project and related books and goods, it also serves as an information center.

Honmura Lounge & Archive
Hiroshi Sugimoto Go'o Shrine ,
2002
Leo Villareal Chasing Rainbow ,
2004
Ange Leccia Seven Islands ,
2012
Spatial design: Ryue Nishizawa
Hours:
10:00 am - 4:30 pm
* Visitors are welcome to view and pray at any time at the main and front shrine areas of Go'o Shrine.
Closed:
Mondays
* Open on Mondays for national holidays but closed the next day.
Address:
850-2 Naoshima, Kagawa 7613110 Japan
tel +81-(0)87-840-8273

Kadoya

Kadoya was the first building in the Art House Project to be completed. The house was constructed roughly 200 years ago, and it was restored to its original appearance with a stucco finish, smoked cedar boards, and traditional roof tiles. The townspeople of Naoshima participated in the creation of the work Sea of Time '98 by Tatsuo Miyajima. This work also served as an opportunity to interject modern art into the lives of the islanders and the local area.

Kadoya
Tatsuo Miyajima Sea of Time '98 ,
1998
Tatsuo Miyajima Naoshima's Counter Window ,
1998
Tatsuo Miyajima Changing Landscape ,
1999
Restoration supervision: Tadashi Yamamoto

Tatsuo Miyajima
Born in Tokyo, 1957. MA in painting, Tokyo National University of Fine Arts and Music. Major exhibitions include Venice Biennale Aperto (1988), Big Time (1996, Modern Art Museum of Fort Worth, Texas, exhibited the following year at Hayward Gallery, London), and Art in You (2008, Art Tower Mito, Ibaraki). Contributed to Standard at Benesse Art Site Naoshima in 2001.

Minamidera

Minamidera is a new building, and it was designed by Tadao Ando to accommodate the size of the works of James Turrell. The vicinity was once home to five temples and shrines, as well as the ruins of a castle, making it the center of history and culture in Naoshima. The name Minamidera (literally "southern temple") seeks to preserve the idea that the temples which once stood here were an emotional support for the people.

Minamidera
James Turrell Backside of the Moon ,
1999
Design: Tadao Ando

James Turrell
Born in 1943 in Los Angeles, California. MFA, Claremont Graduate School. Major Turrell exhibitions have been held in 1980 at the Whitney Museum of American Art, New York and in 1995 at Art Tower Mito, Ibaraki. Significant works include the Roden Crater project (1979 to present, Arizona), House of Light (2000, Niigata), and three works introduced in 2004 at Chichu Art Museum: Afrum, Pale Blue together with Open Sky and Open Field.

Last admittance :
4:15 pm

Kinza

Kinza's building was once a small house built more than a century ago. Major structural elements, such as the roof and pillars, utilize the original traditional techniques, but the structure itself, including the exterior walls, has been turned into a work of art. Rei Naito created a new space by subtly adding to the preexisting connections with time and nature. This work can only be seen by appointment, and only one person may enter at a time to view it.

Kinza
Rei Naito Being Given ,
2001
Concept and basic design: Rei Naito
Working design: Masaru Kimura, Sunao Nagata (Art Station)

Rei Naito
Born in Hiroshima, 1961. Degree in visual communication design from Musashino Art University, 1985. Major exhibitions and projects include Un luogo sulla terra (1997, Japanese Pavillion, 47th Venice Biennale), Being Called (1997, Galerie im Karmeliterkloster, Frankfurt am Main), Being Given (2001, Kinza Naoshima Art House Project, Benesse Art Site Naoshima), Un luogo sulla terra/Tokyo 2002 (2002, Rice Gallery by G2, Tokyo), Un luogo sulla terra/New York 2003 (2003, D'Amelio Terras, New York), matrix (2007, Nizayama Forest Art Museum, Toyama), and Tout animal eat dans le monde comme de l'eau à l'interieur de l'eau (2009, Museum of Modern Art, Kamakura, Kanagawa).

Hours :
11:00 am - 1:00 pm / 2:00 pm - 4:30 pm
Closed :
Monday to Wednesday
* Kinza has been closed due to restoration work.
Admission:
JPY 510
* This fee is separate from the fees incurred for other art houses.
Note:
Can only be seen by appointment, and only one person within 15 minutes may enter at a time to view it.

Go'o Shrine

Hiroshi Sugimoto designed this building to coincide with the restoration of Go'o Shrine, which dates to the Edo Period. A flight of glass stairs links an underground stone chamber with the main hall, connecting the subterranean and the surface to form a single world. The main hall and worship hall are based on the style of early shrine architecture, such as that of Ise Shrine, as well as the artist's own aesthetic sensibility.

Go'o Shrine
Hiroshi Sugimoto Appropriate Proportion ,
2002
Design: Hiroshi Sugimoto
Design collaboration: Masaru Kimura, Toshio Shitara (Art Station)

Hiroshi Sugimoto
Born in Tokyo, 1948. Major exhibitions include Sugimoto (Metropolitan Museum of Art, New York), Hiroshi Sugimoto (Mori Art Museum, Tokyo), and traveling exhibits at other sites from 1995 to 1998, as well as History of History (21st Century Museum of Contemporary Art, Kanazawa), which was also presented at the National Museum of Art, Osaka in 2008 and 2009. At Benesse Art Site Naoshima, Mr. Sugimoto has contributed to Out of Bounds: Contemporary Art in Seascape (1994, Tokyo), Standard (2001), and Naoshima Standard 2 (2006-2007).

Ishibashi

Formerly the home of the Ishibashi family, who prospered producing salt in the Meiji Period, it was used as a private home until April 2001. The salt-making industry supported the livelihood of people in Naoshima for many years, and restoring the home was considered important to understanding the history and culture of Naoshima. Hiroshi Senjyu spent five years from the original conception of the idea developing the entire space of this "tangible memory" into a work of art.

Ishibashi
Hiroshi Senju The Falls ,
2006
Hiroshi Senju The Garden of Kū ,
2009
Spatial design: Hiroshi Senju, Yuji Akimoto
Restoration supervision: Soichiro Fukutake, Tadakatsu Honda

Hiroshi Senju
Born in Tokyo, 1958. PhD, Tokyo National University of Fine Art and Music. Honorable mention in painting category, 46th Venice Biennale (1995). Significant works include the Flat Water and Waterfalls series. Public art by Mr. Senju includes a series of panels for the Daitokuji-Jukoin-Betsuin temple (2002, Shizuoka) and murals for Terminal 2 at the Tokyo International Airport, Haneda (2004, Tokyo). A contributor to Naoshima Standard 2, (2006-2007).

Gokaisho

The name Gokaisho (literally "place to play go") is derived from the long-ago custom of the islanders gathering here to play the game of go. Yoshihiro Suda converted the structure into an art space, and his work Tree of Spring, inspired by the work Falling Camellia by Hayami Gyoshu, is displayed within. An actual five-colored camellia is planted in the garden, creating a contrastive effect with Suda's camellia inside.

Gokaisho
Yoshihiro Suda Gokaisho ,
2006-
Spatial design: Yoshihiro Suda, Yuji Akimoto
Restoration supervision: Tadakatsu Honda

Yoshihiro Suda
Born in Yamanashi, 1969. BA in graphic design, Tama Art University (1992). Major exhibitions include Ginza Weed Theory (1993, Tokyo), Yoshihiro Suda (2004, Palais de Tokyo, Paris), and Yoshihiro Suda (2006, Marugame Genichiro-Inokuma Museum of Contemporary Arts, Kagawa). At Benesse Art Site Naoshima, Mr. Suda has contributed to Standard (2001) and Naoshima Standard 2 (2006-2007) and has created the commissioned work, Weeds (2002).

Haisha

Haisha, meaning "dentist", was once the home and office of a dentist, and Shinro Otake converted the entire building into a work of art. The house incorporates an eclectic array of stylistic elements, appearing in some places like a sculpture, in others like a painting, and in still others like a collage or scrapbook. The title of the work, Dreaming Tongue, represents the process of holding something in one's mouth and recalling a dream by retracing the taste and scent.

Haisha
Shinro Ohtake Dreaming Tongue/Bokkon-Nozoki ,
2006
Spatial design: Shinro Ohtake
Restoration supervision: Yuji Akimoto, Tadakatsu Honda

Shinro Ohtake
Born in Tokyo in 1955. Began showing his work inside and outside Japan in the early 1980s. Takes part in the 8th Gwangju Biennale (South Korea, 2010), dOCUMENTA 13 (Germany, 2012 ), and the 55th International Art Exhibition Venice Biennale (Italy, 2013). His major works at Benesse Art Site Naoshima are Art House Project "Haisha" (Dreaming Tangue / Bokkon-Nozoki ) (Naoshima, 2006), Naoshima Bath "I♥︎︎湯" (Naohshima, 2009). He also took part in Setouchi Triennale 2013, where he presented MECON (Megijima).

ABOUT
ACCESS
ART
STAY
Contact
Press